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Amanda Mole is one of the leading concert organists of her generation and the first-prize winner of several international competitions (Musashino-Tokyo, 2017; Miami, 2016, with audience prize) and national competitions (Poister, 2014; Rodland 2014). She is also a grateful recipient of the Peter B. Knock Award (2014). In 2016 she was chosen as one of Diapason magazine’s Top 20 Under 30, and since 2017 she has served as a juror for live and preliminary rounds of several organ competitions. Amanda has performed internationally at venues across the USA, Europe, and Japan, including one regional and two national conventions for which she received consistently excellent reviews, hailing her as a rising star and describing her as playing “with authority and flair.” In March 2019, she released a CD with Naxos. Originally from Holden, Massachusetts, Ms Mole is completing a DMA as a student of David Higgs at the Eastman School of Music. She earned her MM from Yale University where she studied with Martin Jean and, prior to Yale, she obtained a BM with honours at Eastman studying with William Porter. Earlier studies were with Larry Schipull and Patricia Snyder. Amanda is represented in North America by Karen McFarlane Artists, Inc.

Dieterich Buxtehude (c.1637-1707)

Praeludium in G Minor, BuxWV 149

Johann Pachelbel (1653-1706)

Ciaccona in F Minor

Johann Sebastian Bach (1685-1750)

Toccata, adagio & fugue in C major, BWV 564

Guy Bovet (1942-)

from Trois préludes hambourgeois


Nico Muhly (1981-)

The Revd Mustard his Installation Prelude (2013)

Wolfgang Amadeus Mozart (1756-1791)

Fantasy & fugue in F Minor, K608